27 Haziran 2012 Çarşamba

Favorite Records of 2011

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Well another year passes and we get the obligatory “lists”. I've been doing a list of my favorite cds of the year since 1996. Started off as just a list of album title and artist. Then it got in to blog form with mp3s and all sorts of stuff. Now, sorta settling back with a little bit about the album. Some stuff to sample, but if you are that curious I figured you'd know places to go to go check this stuff out.

As always this is a list of my FAVORITE cds/records of the year. The rules are simple. Album had to have come out between January 1st and December 31st. No best ofs', live albums,eps or what have you. So, here it is. Hopefully short enough to get you to read, long enough to get you excited. It was a good year. Not astounding, but there were some gems.

One final thing to add, I've included when a band might have appeared before. For some reason I don't have all the years written down. Not that it matters..but if you see sort of a cryptic note, that is the reason.


Apologies on formatting, I keep fixing "one more thing" but i am gonna end up deleting something and being pissed. I hope you will sample some tracks and as always, comment away. I do care..just wonder if anyone else does some times.

Onward!

25. Wilco - The Whole Love



Always a consistent contender whenever an album is released Chicago band Wilco seemed to stumble out of the gate on this one. You usually see their records on any number of “best of” year end lists, but this one seemingly has gone missing. Perhaps it was the extended guitar solo on the album opener “Art of Almost”, but that can't be it..since it is pretty great. Overall the record was on the “quiet” side for me and it took a long time for me to start to get what they were trying to do. No dig on talent, as there is a ton, just a little on the lite side of Wilco for me personally. A weak record for Wilco is what many bands could just aspire to release.

Stand Out Tracks - “I Might”, “Born Alone”
Previous List Appearances - Summerteeth #14 in 1999, Yankee Hotel Foxtrot #6 in 2002, A Ghost is Born #3 in 2004, Sky Blue Sky #13 2007, Wilco (The Album) #19 in 2009




24. Panda Bear - Tomboy



This pops up on a few lists this year. Seen as essential by some and just a passing trend by others. Panda Bear (Noah Benjamin Lennox) is a part of art rockers “Animal Collective” but barring the sound of his voice these are very different projects. Panda Bear channels the Beach Boys. There is just something about it that you can't escape. The vocal layers add to that vibe. A very polarizing artist, but if you get it, you'll love it.

Stand out Tracks – Surfers Hymn
Previous List Appearances - This is the first time.




23. The Decemberists - The King is Dead



Admittedly I am slow on the Decemberists band wagon. Listening here and there, getting a live show, or friends passing it along saying “you may dig”. Another early release in 2011 that I was happy I spent the money on. Seemed to reach out to me on the first listen, and perhaps it felt like the band was having a lot of fun. Not sure why but there is this perception that I have they are sort of doom and gloom/mellow folky stuff, but I am so very wrong. Harmonies from Colin Meloy and Gillian Welch are outstanding and the mix is perfect. Peter Buck (R.E.M) appears on a few tracks on guitar and mandolin and he adds to a stellar cast of musicians. Listening again for this list I realize this record suffered from me just not playing it enough, after my first two or three listens. It should be higher. My heart of heart knows its better than this ranking but remember..its my favorite records and I am tool for seemingly ingorning this for the bulk of the year.

Stand out Tracks – This is Why we Fight, January Hymn
Previous List Appearances - This is the first time




22. Bon Iver - Bon Iver



One needs to be in the mood for Bon Iver. When the mood is not there, this can be one of the most “what the fuck are people smoking who rave about this record”. When the mood is there, this record will strike many a chord. Justin Veron “is” Bon Iver for all intents and purposes. This is a late night album to put on. After a party with a final drink, just listening as it needs some attention and will help you wind down. There are many layers for guitar, to banjo to subtle percussive instruments to saxophone. Vernon surrounds himself with strong talent and his unique vocals offer a diverse collection of songs. This was high on many best of lists. I might get more out of it over time, but this is where it lands for now.

Stand out tracks – Minnesota, WI.
Previous List Appearances – First time, the last one came close but I got it late in the year.



21. The Roots - Undun



This is the 11th studio album from hip hop band “The Roots”. A loose concept album about a rough and short life in poverty. Not the most uplifting of subject matter but you seem to work past this. The band is solid and are always rewarding to listen to with the smooth, to funked up tempos. The Roots albums I look forward to getting and are a solid listen, but never seem to break out for me. This one came out in late 2011, so maybe with more time it would have done “better”. You'll be hearing about this collection for a while though.

Stand Out Tracks – “Make Mine”, “Kool On” “Lighthouse”
Previous list appearances - Phrenology #15 2002, Tripping Point #24 in 2004, Game Theory #20 in 2006, How I Got Over #16 in 2010




20. Russian Circles - Empros



Every time this band releases a record I am always impressed and astounded that three people make this wall of sound. Right out of the gate with the steady pummel of “309” the band rotates between quiet and loud, but all the while the drums from Dave Turncrantz are the wall to be stood on. He hits them like they stole money from him or something. Not to be out done the bass is thundering on track like “Atacka”. Just solid stuff. Instrumental music is curious to many, how can you not have words and still get 6 minute song out of it. Easy. Just have it be really good. Vocalists often times blow anyway.

Stand out Tracks – 309, Atackla
Previous list appearances - Geneva #14 in 2009, Station #4 in 2008



19. Shels - Plains of the Purple Buffalo



Combing a message board for a band I like the typical post was up “favorite record of the year so far” and I stared to see this band/album listed over and over and over. Taking a chance is always just that, a chance. The people that posted this were right. I'd never have known about this band and with the power of the internet within 5 minutes I was able to sample songs on line and 10 minutes later I was buying their music. Blending the “posts” like like the most (rock and metal) this (according to what you read) super group of British and American underground music scene put together some complex and overpowering stuff. Sure you get 2-3 guitars, bass and drums but toss in a trumpet and you'll be confused and fascinated they can pull this off all at once. Plains of the Purple Buffalo Pt 2 is all that and the kitchen sink. If that track doesn't sell you nuttin will. They are two records in (since 2003) so it might be some time, but it appears so far they are worth the wait.

Stand out Tracks – Plains of the Purple Buffalo Part 2
Previous List Appearances – They are first timers.

Crank this one up good..


18. The Joy Formidable - The Big Roar



A copy of this record was forwarded to me by a music fan. I downloaded it, but didn't “extract” it right away for whatever reason. Wishing I did it earlier. The Wales trio, fronted by Ritzy Bryan open with the epic “The Everchanging Spectrum of a Lie” which clocks in over seven minutes and is chock full of big guitars, bass and drums. You quickly will be impressed with the sound the three can pull off. The tracks are rocking and a whole lot of fun with catchy guitar hooks and hand clapping choruses. There is very little not like on this, their debut full length.

Stand out Tracks - “Austere”. “Whirring”, “A Heavy Abacus”
Previous List Appearances – This is the bands first time.



17. Mogwai - Hardcore Will Never Die, but You Will



The Scottish noisemakers continue to be the upper echelon of post rock performers. They work a little more with vocals on this album, even if they are distorted and nearly incomprehensible. You want to sing along on “George Square..” but it is just impossible. The big walls of guitars and thundering bass and drums are constant trademarks.

Stand out Tracks – How to Be a Werewolf, George Square Thatcher Death Party
Previous List Appearances - Mr Beast #13 in 2006



16. Codes in the Clouds - As the Spirit Wanes



Fun story how I heard about these Kent, England instrumentalists for the first time. Music used in a music bed piqued my interest so I called the station and asked who it was. Their prior record was a joy to listen to and when this was released early in 2011 it was perfect timing. I still had not had my fill of their last record and here it was, new material. The songs are shorter on this record and seem a little more focused, but no less able to take your breath away one minute, and then snap you to attention when you seemed to bear down to listen to that lone guitar plucking single notes (see “Washington”). A track like “Look Back, Look Up” feels quick and to the point, almost sounding like a radio friendly single. The guitars slowly build and after the 2:30 mark it really takes off. How a track like “The Tragedian” hasn't landed in some major motion picture remains a mystery. Still waiting for the band to tour the US as well, so that is all the more fun as it is frustrating.

Stand out Tracks – Look Back/Look Up, The Tragedian
Previous List Appearances – Paper Canyon #5 in 2009



15. Elbow - Build a Rocket Boys!



Every time I listen to an Elbow record I think of Coldplay fans. Mostly feeling bad that none of them have a clue these guys do it so much better (and I don't mind Coldplay). Singer Guy Garvey has this deep baritone that finds angelic soaring at times. Opener “The Birds” might start off as brooding, but the playful keyboard from Craig Potter that meets the chugging bass lines from Pete Turner offer a great display of what they are capable of. America needs to wake up on this one. They are a few albums deep and you've been missing a lot.

Stand Out Tracks - “The Birds”, “The Night Will Always Win”
Previous List Appearances – Seldom Seen Kid #11 in 2008



14. Motorhead - The World is Yours



Lets face it..its a Motorhead record. What you see is what you get. They've done it, and done it well for longer than most bands are around. Its a dirty rock record..that simple.

Stand out tracks – Born to Lose. Bye Bye Bitch Bye Bye
Previous List Appearances – First time actually



13. TV On The Radio - Nine Types of Light



The band seems to be overly prolific the last few years. Seems like each year there is a new album or live record. The Brooklyn band also had its share of bad news with the passing of Gerard Smith (bass/organs). Tunde Adebimpe continues to shine as the vocalist and will shed these underrated “singer” categories soon enough. The album has extended organ and string parts to expand on the sound. Kyp Malone is stong on his guitar parts and the band does solid work on harmonies. This record didn't hit me as quickly as their prior releases, but its still a very solid effort.

Stand out Tracks - “No Future Shock”, “New Cannonball Blues”
Previous List Appearances - Return to Cookie Mountain #7 in 2006. Dear Science #2 in 2008




12. Foo Fighters - Wasting Light



I offer no apologies for enjoying this record. As far as “mainstream” rock there are few, if any bands that even come close. Band leader Dave Grohl continues to write one heck of a catchy tune and he surrounds himself with very competent players. Taylor Hawkins hammers the drums and offers the harmonies and Nate Mendel on bass is as solid as ever. Pat Smear and Chris Shiflett tandem on tracks like “Rope” and “Walk” to just hit you straight on. I am sure its about as cool as nothing to enjoy this bands output for whatever reason, but its a very solid rock record. Beyond the radio singles there are some real gems here. Not sure why people slag em, but they make a heck of a fun record.

Stand out Tracks – Dear Rosemary, White Limo
Previous List Appearances - The Color and the Shape #1 in 1997




11. Raphael Saadiq - Stone Rollin



The fun thing about doing these lists year after year is going back and seeing stuff that I'd never have expected to make my list. I knew not a lot about Raphael Saadiq and it was only later I found out he was part of the 80's pop band Tony! Toni! Tone! This is a far cry from that. Saadiq plays most of the instruments on each track, showing competence on each. From the super funky/buzzed out intro to “Heart Attack” to the crooning on “Go to Hell” (I know really?) its a great blend of styles. Its got that Mowtown feel, a splash of pop a kiss of funk and a whole lot of soul. The artist this year that will make you say “Really? On this list?” Yep. It is a solid record.

Stand out Tracks – “Stone Rollin”, “Heart Attack”
Previous List Appearances – First time

Lets him show off a little..


10. REM - Collapse in to Now



Hearing now that the band knew this was “it”. By the end of 2011 they'd disband, but they left us with this “return to the rocking” version of R.E.M. With the opener “Discoverer” there is the ringing guitar from Peter Buck, Stipe is in fine vocal form and it sets you up for a solid effort. We have the fun, really poppy tracks like “Mine Smell Like Honey” and more introspective tracks as well. Eddie Vedder helps out on “It Happened Today” and Peaches offers a rowdy backing vocal on “Alligator_Aviator_Autopilot_Antimatter” A wonderful swan song. Time will do this band well, people will realize now how great they really were.

Stand Out Tracks - “Discoverer”, “Oh My Heart”, “Alligator....”
Previous List Appearances - Accelerate #7 in 2008



09. ...and you will know us by the Trail of Dead - Tao of the Dead



There is no way to escape it, the last few Trail of Dead cds have been erratic. Sure there are listenable moments, but it always feels like the Texas group could never seem to capture their live essence on record. I was going to buy this record none the less, and what I then heard restored my faith. Disc 1, track one is an 11 part, single track Opus called “Tao of the Dead” (35:50), while part 2 (track 2) is in 5 parts called “Strange News From Another Planet” (16:32). When the cd came out there was a limited edition version that had a second cd, that was the same disc, but the tracks were broken out, but a little longer. Embracing “cover art” (which is lost to downloads) is both intricate and fascinating all done by Conrad Keely. If you were a casual fan at one time, I strongly suggest checking to see what they did here in 2011, you should be very pleased.

Stand out tracks - “Pure Radio Cosplay”, “Summer of All Dead Souls”, “Weight of the Sun”
Previous List Appearances - (Source Tags and Codes was a #1)




08. Explosions in the Sky - Take Care, Take Care, Take Care



The Texas four piece continue to offer solid release after solid release.. Their work with the film and TV show “Friday Night Lights” has worked in their favor as ticket and album sales seem to be up. The band remains true to their task unleashing these wonderfully sonic bursts of music that can lift you up as quickly as punch you in the gut. Long, swooping ebow infused tracks like the opener “Last Known Surroundings” blend well with the more “to the point” tracks like “Postcards from 1952”. The track “Trembling Hands” is about as short as any EITS song I can ever remember. The chanting vocals at the start are sort of odd, but the, pardon the use, musical explosion later in the track pays for it 10 times over. The most rewarding thing with this band releases for me personally is every time I listen, it is/was the right time and I always seem to hear something new.

Stand out Tracks – Postcards from 1952, Trembling Hand
Previous List Appearances - Earth is Not a Cold Dead Place #3 in 2003. All of A Sudden I Miss Everyone #8 in 2007

A little shorter (to the point version..but aces)


07. Adele - 21



Okay okay...lets just face facts dear readers. Its a good record. She can sing, leaves nothing back and has put out the finest “moving forward” record in years. She has made my list before with her debut “19” and the future looks bright. Don't feel bad your mother likes her too, its okay when there is talent involved. I refuse to let anyone tell me this is a bad record.

Stand out Tracks - Rumor Has It, I'll Be Waiting, Don't you Remember
Previous List Appearances – 19 at #16 on 2008




06 - Fleet Foxes - Helplessness Blues



There are just some voices that hit you. Sometimes you'll hear the expression” They could sing the phone book and I'd buy it” Robin Peckhold has one of those voices. Perhaps not the most vocally diverse, but the vibrato he gets on his voice seem to fall on you like a light amount of rain. The songs have a “big” feel to them, but at the same time a few folks around a campfire or front porch also come to mind. If the title track doesn't get you, nothing will.

Stand out Tracks – Helplessness Blues, Montezuma
Previous List Appearances – First time, the last disc I got late in the year.




05. My Morning Jacket - Circuital



Even songs that don't seem to really take off slowly build and pull you in. Album opener “Victory Dance” is just like that. Slowly building before hitting the five minute mark and just exploding. Jim James, as always, is really shining vocally. The big, rowdy, reverb filled tracks seem to be limited, but MMJ continue to release one solid release after the other. They still do a great job of blending a lap steel portion in one song with a fuzzed out keyboard run on the next.

Stand out Tracks – Circuital, Wonderful (The Way I Feel), Outta My System, You Wanna Freak Out
Previous List Appearances - Z #11 in 2005. Evil Urges #6 in 2008 (It Still Moves has to have made it as well)




04. Battles - Gloss Drop



Before the band began work on this record Tyondai Braxton left the band. Braxton had played keyboards, guitars and offered up “vocal duties”. The band quickly re-shuffled things and you'd hardly notice the departure. Battles release complex stuff. Its just hard to really fall in to category with them. Gary Newman guests on “My Machines” (a driving rock tune) and tracks like “Ice Cream” are heavy with the math rock tempo while. “Africastle” which opens the record feels like trembling hands, with short guitar and keyboard notes that seem to drone for two plus minutes but that makes way for the frantic “Ice Cream”. If you want “erratic” just listen to the intro on that, but as it speeds up and begins to shape the drum roll that fires it off just slaps you in the face. It sounds like a circus organ with its off tempo downbeat, but the bass and guitars all rumble along with the quirky vocals that are thrown through pitch benders. The “circus” organ hook is the gel that holds this together. It can be a challengeing listen at times, but the payout is well worth the attention it needs during those times.

Stand out Tracks - Dominican Fade, Ice Cream, Futura. White Electric
Previous List Appearances – Mirrored #1 in 2007

A little NSFW..but man its a great video



03. Manchester Orchestra - Simple Math



Now and again, records just seem to hit you at the right time, or place. This was one of those records that if there was an award for “most played in the car” this cd would win in a landslide. Andy Hull has powerful vocals that he, and the band find the right times to use. A compliment of players for full rocking tunes, to laid back ballads to bar-room sing alongs. Tracks like “Mighty” build and build and the band just blows it up. “Pale Black Eye” is another real strong example of that. Using strings, a children s choir and a slew of percussion instruments to balance everything out. This record stands on its own for what it is. A very VERY solid rock and roll album and an album for short and long road trips. Worth every penny for “April Fool” alone.

Stand out Tracks – April Fool, Pensacola, Mighty, Simple Math
Previous List Appearances – Mean Everything to Nothing #3 in 2009




02. Mastodon - The Hunter



From the very first spin I knew we had a winner. The last few Mastodon albums (all amazingly awesome) were “concept” records and that can always be a buzz that can go good or bad. This time around the band focused on “songs”. Some freaking beastly, heavy songs. Opening with “Black Tongue” you get the speed and complexity you'd expect from these proggy metalist but with a lot more focus. Listening to tracks like “Basteroid” that have the speed and melody but with “that much more” and Brent Hinds just sounding “perfect” really makes for one of the best songs you may or may not have heard all year...back that right up with Octopus has No Friends..these two songs alone should sell millions of albums. Is it “metal” yeah, but its better than country. Remember that...always.

Stand out Tracks – Blasteroid, Octopus Has No Friends
Previous List Appearances – Blood Mountain #9 in 2006 Crack the Skye #2 in 2009.

Love love LOVE this tune



01. Fucked Up - David Comes to Life



Telling you now, Mastodon came damn close, but this is one record that..whew..just wow. This is a concept album. The idea is of David and Veronica, falling in love in England in the late 70's/early 80's. You can read the whole summary of love/life/death (You can read about it on Wiki). You are lead in to a false sense of what this is all about by the instrumental intro “Let Her Rest” which runs just over three minutes long, but after some delay and reverb the wall of guitars comes up and “Queen of Hearts” takes off. Seriously..it takes fucking off. A long guitar wails before the full band comes in and when front man Damian Abraham starts going you hair will blow back and stand on end. The band is furious and focused and when Damina tells you “hello my name is David...your name is veronica..lets be together...and fall in love” you long for this love story to work out. As the chorus runs through the lone female member (and bass player) Sandy Miranda takes the run at the verse and when she sings the same line of “Hello my name is David...” you just want this love story to work out. Broken in to four parts you can follow the journey with our heroes and when we are “Dying on the Inside” (The Other Shoe) we see how things are starting to change. 18 tracks in total that will leave you exhausted and begging for more.

Easily my favorite record of this year. This is not for everyone, I am fine with that, but, this borders on being an absolute masterpiece.

Stand out Tracks – Queen of Hearts and the whole rest of the effing thing....
Previous List Appearances – First time!

You will give up after 20 seconds or fall in love..there is no in between on this one.

Said the Whale - Album News and Tour

To contact us Click HERE


JUNO AWARD WINNERS FOR “NEW GROUP OF THE YEAR”

SAID THE WHALE SET THEIR SIGHTS ON U.S. WITH FORTHCOMING RELEASE AND TOUR

LITTLE MOUNTAIN is due on March 6, 2012

This may be Said The Whale’s third LP but the Canadian indie-popsters are still educating the U.S. masses, and their forthcoming album, Little Mountain, is a superb introduction. Their latest effort is their most adventurous to date and will be released in North America on March 6, 2012 via Hidden Pony Records/EMI, and in the U.K and Europe on March 12. The pre-order from iTunes will go live on February 20.

Said The Whale have been making their pretty music for some time, and in this past year were rewarded with the highest accolade available in their home land – a JUNO Award. The band snagged the crown for “New Group Of The Year” in 2011 and made their mark even bigger.

Little Mountain finds the group defying rock conventions without sacrificing any of their pop smarts. Said The Whale enlisted the juggernaut production prowess of Tom Dobrzanski, and multiple Grammy Award winner Jack Joseph Puig, who mixed the 15-track collection. Their combined efforts steered the song suites to explode out of the speakers, as they shepherded the band’s signature sound to a new level.

More diverse than previous albums, Little Mountain is a multi-stylistic tour-de-force that ventures into everything from soaring, horn-laden cabaret ("The Reason") to jaggedly syncopated rock ("We Are 1980") and effervescent guitar pop ("Loveless"). First single, “Heavy Ceiling,” is a dancefloor-ready ditty that reflects the confident and razor-sharp sound that dominates this LP.

Starting in early February and leading up to the release date, Said The Whale will regularly offer videos as exclusives, each coinciding with the 15 album tracks. The band partnered with Vancouver-based production company Amazing Factory for their ambitious endeavor, who helped re-imagine the band’s vivid lyrical imagery. Tune into Exclaim.ca for the premier of “1980” on February 7.

On February 25, the band will host a very special video screening and album launch at the Rio Theatre in their hometown of Vancouver. It will mark the beginning of the customary Said The Whale whirlwind tour schedule that will take the band across Canada, through the US, UK and Europe this year.

Feb 25 Rio Theatre Vancouver, BC
March 2 Q Café Seattle, WA
March 5 Luigi's Fun Garden Sacramento, CA
March 6 Hotel Utah San Francisco, CA
March 8 Silverlake Lounge Los Angeles, CA
March 10 Plush Tucson, AZ
March 11 Rhythm Room Phoenix, AZ
March 13-18 SXSW Austin, TX
March 22 Club Café Pittsburgh, PA
March 23 M Room Philadelphia, PA
March 24 The Rock Shop Brooklyn, NY
March 27 Peppers Pub Saint John, NB, CAN
March 28 Reflections Cabaret Halifax, NS, CAN
March 30 Grenfell College Cornerbrook, NFLD, CAN
March 31 venue TBA St. John's, NFLD, CAN
April 5 UPEI Charlottetown, PEI, CAN
April 7 Charlotte St Arts Centre Fredericton, NB, CAN
April 8 Le Cercle Quebec City, QC, CAN
April 10 Le Divan Orange Montreal, QC, CAN
April 11 Ritual Ottawa, ON, CAN
April 12 This Ain't Hollywood Hamilton, ON, CAN
April 13 The Great Hall Toronto, ON, CAN
April 14 London Music Hall (Lounge) London, ON, CAN
April 16 Capitol Theatre Windsor, ON, CAN
April 17 The Lager House Detroit, MI
April 18 Double Door Chicago,IL
April 20 400 Bar Minneapolis, MN
April 21 Park Theatre Winnipeg, MB, CAN
April 23 Artful Dodger Regina, SK, CAN
April 24 Broadway Theatre Saskatoon, SK, CAN
April 25 Myer Horowitz Edmonton, AB, CAN
April 26 MacEwan Hall Calgary, AB, CAN
April 28 The Habitat Kelowna, BC, CAN
May 3 Vogue Theatre Vancouver, BC, CAN
May 4 Alix Goolden Hall Victoria, BC, CAN

For more information you can follow em:

Official Page
Facebook
Twitter

Finally, check out the single right here

Kim DiVine set to release new ep!

To contact us Click HERE
Former Massachusetts based singer songwriter Kim DiVine is set to release her new ep early next week.

THE 5 THINGS YOU NEED TO KNOW ABOUT KIM DIVINE'S NEW EP "FIVE" ---
- Track one on the EP ("Perfect Kind of Love") was featured in an episode of the hit show "One Tree Hill" in May 2011.

- Track three ("Easy on Me") was one of three finalists in the John Lennon Songwriting Competition and a semi-finalist in the International
Songwriting Competition.

- Kim wrote all songs on the EP and recorded with producer Bill Lefler (Gym Class Heroes, Ingrid Michaelson, Dashboard Confessional, Cary Brothers) in Los Angeles.

- Kim's first-ever music video (for "Perfect Kind of Love") will be simultaneously released with the EP!

- Fans helped fund the "Five" release by supporting the project on Kickstarter. Those that pledged received a wide range of rewards (in addition to the EP, of course) that included a homemade pumpkin pie (with delivery), original paintings, personalized music jewelry and customized owl guitar picks.

You can stream the ep right here.

The album is due out Tuesday.

The Jealous Sound - First album in 9 years..limited stream

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Nine years since their debut LP, The Jealous Sound has emerged with their sophomore full-length A Gentle Reminder, to be released January 31 via Music is Subjective and Fontana Distribution. Their previous and debut album Kill Them With Kindness was embraced by critics worldwide, named one of Spin's best albums of ’03 and described by Spin writer Andy Greenwald as “heartfelt guitar rock capable of punching you in the gut and patting you on the back.”

After taking time away from the band, frontman Blair Shehan reconnected with founding guitarist Pedro Benito, whose friendship with Nate Mendel (Foo Fighters) helped The Jealous Sound land an opening spot on the 2009 tour for the bassist's previous band, emo pioneers Sunny Day Real Estate. The old juices started flowing.

Made in the Foo Fighters' Studio 606 with John Lousteau producing, A Gentle Reminder features founding members Shehan and guitarist Benito working alongside Mendel (filling in on bass for the departed John McGinnis) and new drummer Bob Penn. Josh Staples (the Velvet Teen) contributes backing vocals and bass on two tracks.

How the quartet coalesced to recapture the magic is a labyrinthine tale that covers three states and includes a lot of emotional baggage. The life lessons are revealed in the grandeur of the new album, a poignant and emotional triumph that not only proves a worthy successor to Kill Them With Kindness, but reveals the foursome at the top of its craft. Open-hearted, yes, but not really gentle at all, A Gentle Reminder represents a 44-minute epiphany set to cascading guitars, thundering rhythms and Shehan's evocative vocals.

You can stream the record RIGHT HERE but only until Tuesday the 31st.

Tour Dates!
2.3 San Diego, CA @ Soda Bar
2.4 Scottsdale, AZ @ Rogue Bar
2.6 Austin, TX @ The Mohawk
2.7 Fort Worth, TX @ Lola's Sixth
2.8 Little Rock, AR @ Stickyz Rock'n'Roll Chicken
2.9 Atlanta, GA @ The Earl
2.10 Chapel Hill, NC @ Local 506
2.11 Richmond, VA @ Strange Matter
2.12 Washington DC @ Rock and Roll Hotel
2.14 Allston, MA @ Great Scott
2.15 Brooklyn, NY @ Knitting Factory
2.16 Philadelphia, PA @ Milkboy
2.17 Cleveland, OH @ Grog Shop
2.18 Chicago, IL @ Subterranean
2.19 Minneapolis, MN @ Triple Rock Social Club
2.20 Kansas City, MO @ Riot Room
2.21 Denver, CO @ Marquis Theatre
2.22 Salt Lake City, UT @ Kilby Court
2.24 Portland @ Hawthorne Theatre
2.25 Seattle, WA @ El Corazon
2.27 San Francisco @ Bottom of the Hill
2.28 Los Angeles @ The Satellite

Official site here.
Facebook here and finally Twitter

John Butler - Tin Shed's Tales

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One of Australia's most respected singer/songwriters, John Butler returned to his roots, performing a series of solo concerts throughout the country over the past couple of months. Aptly titled Tin Shed Tales, the shows were a rare opportunity to hear the music of this iconic artist, solo and in a raw and intimate setting. Designed and dressed personally by John, his Tin Shed was recreated; decked out with a collection of personal art pieces and old skool skateboards with his vintage guitars hanging from the corrugated shed walls.

Now John Butler gives his fans the opportunity to relive the experience with the release of the Tin Shed Tales Live Recording packaged in a 2 CD set. This CD truly captures John Butler in a completely new light, not only as the skillful musician stripped back and bare but as a humbled and relaxed performer. It's as if he's hanging out with a bunch of close friends as he engages the audience interspersing his music prowess with anecdotes, some of which will make you laugh and move you and others which might well give you food for thought.


The first five shows of the tour; Fremantle, Kalgoorlie, Mandurah, Dunsbourough and Albany - were recorded and the best tracks, accompanied by John's insightful tales, have been selected to form the content of the Tin Shed Tales Double CD.

The 13 track package includes classics like 'Better Than', 'Pickapart' and 'Treat yo Mama', as well as reworkings of April Uprising's hit 'Revolution', a moving rendition of the classic Irish ballad 'Danny Boy' and the brand new song 'Kimberley' amongst others.

The double CD Digipack will be made available from all good retailers and online through iTunes, and
Musictoday.com in the USA


Follow John Butler Trio

Facebook: here
Twitter: here
And on the web site

Watch a clip!




25 Haziran 2012 Pazartesi

Book Review: The Heebie-Jeebies at CBGB's: A Secret History of Jewish Punk by Steven Lee Beeber

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It's an odd bit of nomenclature, the difference in implication in theexpressions "Christian musician" and "Jewish musician." To call someonea Christian musician is taken to mean an artist whose material dealswith religious and spiritual matters. Christian music is a recognizedgenre, even with its own Billboardcharts. However, to call someone a Jewish musicians refers only totheir religious background but says nothing about content of theirsongs. To talk about Jewish musicians, the default assumption issecular music by people who happen to be Jewish.

All of which boils down to this: don't approach Steven Lee Beeber'sbook TheHeebie-Jeebies at CBGB's: A Secret History of Jewish Punkexpecting to learn about an unknown subgenre of punk featuring thelikes of a sped-up, angry version of "Kol Nidre," not that anyone isapt to make that mistake. Beeber even makes his outlookexplicit, examining what it means to be Jewish from a cultural ratherthan religious perspective, on par with being Italian, Irish or Indianrather than Catholic or Hindu. He may trot out anecdotes about barmitzvahs as evidence of Lou Reed's religious heritage, but Beeber ismuch more interested in Jews as an ethnic rather than religious group.And the big surprise is that the history of punk includes a lot of Jewsin crucial roles.

Beeber goes far beyond the mere curiosity "outing" Jewish punks. Sure,you know that Joey Ramone was Jewish, but did you guess that TommyRamone is, too? The author even questions his own motivation whenRichard Hell (né Meyers) asks Beeber his point in writingthe book. Beeber examines the common cultural forces that influencedthis set of people. Some manifestations are overt, such as the Ramones'exhortation to eat Kosher salami. Others are more subtle, such as thestatus of Jews as outsiders in American society and rebellion againstparental desires to assimilate via respectable high-paying professions.

The author trips up when he lacks primary sources. Most notably in thechapters on Lou Reed and the reclusive Jonathan Richman, he strugglesto interpret their inspiration through their lyrics and other pressclippings. In doing so, his analysis gets stretched too thin and hiswriting becomes repetitive. In other instances, he worked around hisinability to interview his subjects by drawing on other sources.Richard Hell was suspicious of Beeber's angle and refused to beinterviewed, but Beeber researched Hell's archival materials at NYU forinsights. Joey Ramone died before Beeber began to work on the book, butthose close to Joey were clearly forthcoming about him.

The book's greatest strength is in examining early punk's obsessionwith Nazi Germany. The Ramone's brought it to the forefront with one oftheir most political songs, "Bonzo Goes to Bitburg." But before that,many in the scene used Nazi iconography in their work or collected itprivately. Beeber teases this out, observing the place of thisgeneration of Jews in history. For many, they were just young enough tohave not been directly affected by the Holocaust but just old enough togrow up around those who were. Drawing on Susan Sontag's work in Notes on "Camp," hetheorizes that the obsession is a manifestation of an ultimatepsychology victory over the Nazis.

Many ethnic groups take justifiable pride in the accomplishments of itsmembers in various fields. But in chronicling the impact of people suchas band managers Danny Fields and Malcolm McLaren, CBGB's founder HillyKristal, Chris Stein of Blondie and Lenny Kaye of the Patti Smith Groupas well as lesser lights in the punk spectrum, Beeber assembles acompelling argument. The Jewish experience provided a unique influenceon this group of people, and without this cluster of Jews, punk as weknow it would not exist.

Kickin' It Real Old School

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My blog was dormant for two months because I'm back in school, pursuinga masters in music at Tufts, which has left me with little time to seeshows or even blog. My first major paper was on a historic music textin one of Tufts' special collections, A General History of Musicby Charles Burney. It was one of the first two comprehensive historiesof music published in England. Burney released his first volume inJanuary, 1776 but didn't finish the four-volume series until 1789. Hisrival Sir John Hawkins released his history 10 months later in itsentirety. The rivalry was immediate and has persisted for 200 years.Hawkins's strength was in his coverage of ancient music, but that'sabout the only advantage he held. Burney's writing style wasaccessible, and the clear structure of the work made it a usefulresearch tool, whereas Hawkins's style was detached and the work is sodisorganized that it is difficult to find a particular subject withinthe text. While Hawkins intentionally excluded contemporary music,viewing it as worthless, Burney embraced it; it is largely because ofhis extensive coverage of his contemporaries that he is still citedtoday. Besides being an antiquarian, Hawkins was also a curmudgeon,while Burney's social skills allowed him to travel in more prestigiouscircles than his middle class background might have limited him to. Thestory has the makings of a great screenplay.

As I gingerly leafed through Burney's and Hawkins's books, it occurredto me that I doubt I've ever touched anything that old other than abuilding. And as I synthesized my research materials, I started to feelkinship with Burney. I have immersed myself in the world ofcontemporary music but struggle to make sense of music of the distantpast, and until now my knowledge of music history has been throughself-study and interaction with musicians. I'd like to think that mywriting is accessible, but I am humble enough to seriously doubt thatanyone will be quoting me 200 years from now.

Concert Review: The English Beat, Johnny D's, Somerville, January 4

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The English Beat are better than you remember. Off the top of yourhead, you can only recall "Mirror in the Bathroom" and their cool logo.But they have more songs that make you go, "Oh, yeah, this isreally good," than you realized. And they can get a party going on acold Tuesday night in January like nobody's business.

"How Can You Stand There?" was the unofficial theme song for the night.It was probably about political apathy, but it applied to the audienceat a more literal level to the few hold-outs in the audience. Most ofthe sold-out crowd at Johnny D's was on their feet and dancing. Evenpeople with seats at tables on the edges of the crowded room were upand moving. Dave Wakeling could taunt someone up front for standingstill with arms folded only because it was a rarity. Even moreimpressive about "How Can You Stand There?" is that it was a new song,not yet recorded, but it fit in so easily with their repertoire of hitsthat the audience never slowed down.

And the major and minor hits kept coming: "Hands Off She's Mine," "IConfess," "Best Friend," "Twist and Crawl," "Save It For Later" (Seewhat I said about more good songs than you remember?) They brought outthe covers that they put their own stamp on, "Tears of a Clown," "Can'tGet Used to Losing You" and "I'll Take You There." Guitarist and singerDave Wakeling is the only original member still with the band; thecurrent keyboard player probably wasn't even born when the RankingRoger was bobbing around in videos in the early days of MTV. But theline-up in tight, ably delivering the material that made the band theepitome of the early '80s ska revival.

No, the evening wasn't perfect. While it was impressive that theyplayed more than two hours, the energy in the room sagged at around the1 hour 45 mark; they could have trimmed a few songs and still kept theaudience more than satisfied. And it's hard to fully endorse a group soclearly trading on nostalgia. But it's also hard to fault a band thatgenerates so much fun.

Why I'm Not Reviewing Ida Maria's New Album

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I loved Ida Maria's debut album, Fortress 'Round My Heart. It's one of my favorite albums of the last five years, so I jumped at the chance to review Katla, her recent follow-up. But my primary outlet for album reviews these days is CD Hotlist, an online publication aimed at people who buy music recordings for libraries. And that's the hitch. Katla is part of a growing trend of albums that are only available as digital downloads, not in physical form. To make a long story short, because of standard end-user license agreements, libraries can't buy digital downloads for their borrowers to use. My colleague D. J. Hoek has written about this issue in greater detail. So there is no point in CD Hotlist running a review of an album that libraries can't buy.I'm hoping the situation will change. In the short run, I hope Ida Maria's label will view Katla as enough of a priority to issue it on CD. In the long run, I hope the copyright laws will change or vendors will change their restrictions so that libraries can collect, preserve and allow access to digital-only recordings. I've got a review of the album ready to go. The short version is that it's awesome.

Concert Recommendation: The Hives, House of Blues, June 23

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In the charming Mo Willems' childrens' book Edwina, The Dinosaur Who Didn't Know She Was Extinct, the title character goes around town making people happy, blissfully unaware that dinosaurs should no longer inhabit the earth. When a know-it-all in need of an audience explains to her that she should be extinct, she buys his arguments but just doesn't care. She just goes on having fun, and even her lecturer joins her.

Substitute "garage rock" for "dinosaur," and you've got the story of the Hives. They burst onto the scene a decade ago as part of the third wave of garage. The White Stripes appeared to be the only long-term survivors of the fad, and even they've broken up, and not before Jack White repositioned his duo as blues revivalists. But armed with unflagging bravado, especially by satirically arrogant lead singer Howlin' Pelle Almqvist, the Hives have kept chugging along, blissfully unaware that there won't be a Grandchildren of Nuggets compilation. And, like Edwina, they go around making people happy by putting on great shows. "Go Right Ahead," the lead track from the new Lex Hives is their raucous take on ELO's "Don't Bring Me Down," and it is just as energizing as any of the highlights from their breakthrough album Veni, Vidi, Vicious.

The Hives play the House of Blues, 15 Lansdowne St., Boston, (888) 693–2583 at 6:30 on Saturday, June 23.

24 Haziran 2012 Pazar

Caspian - Live at Old South Church

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Been meaning to post this for some time, but due to being sick for over a week and various other issues..oh well lets get to it.

Followers of this blog know I have a love affair with the band Caspian. The band has just released their first live ep called “Live At Old South Church”.

I wrote a long review of the show [here]

The band culled five songs from the show and have pressed to vinyl. The cool limited edition colors used for the vinyl sold out quickly but you can still order it [here]

Proceeds go to Amirah AND you get a code for a digital download.

You can stream the record [here] as well to be sure its for you.

Really..it is. Get on it.

So Van Halen has a new record out eh?

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Lets put it this way, it probably is not going to be better than your favorite David Lee Roth era version of Van Halen, but is really not that bad.

The lead off single “Tattoo” is sort of silly, and I read one review that said "When loading to your iTunes playlist skip the song all together" but the second track “She's the Woman” is pretty awesome. You got the finger tapping guitars the love of a ride cymbal..its all here. Really. The brothers (and son) are fast and tight and seem to be really focused. “Honeybabysweetiedoll” takes a little to get rolling, but Eddie is quick to blow it up. Every time I think the bass is sort of buried there is a big bass riff that comes out of no where. Granted their could/should be more, but Wolfgang has plenty of time. (See “The Trouble with Never”)

Yeah people miss Michael Anthony and the high harmonies, and they are missed here but for big guitar and drum riffs the Van Halen brothers seem to be more than willing to help you out.

Does David Lee Roth “speak” the lyrics...sure..but he always did.

It is the same as if you saw Star Wars as a kid (the original in 3) and then saw the prequels. You love the franchise but you are going to find a flaw just because it didn't do to you, or for you what it did when you were 20 years+ younger. Keep in mind, Dave has been out of the band for something like 25 years...25 years!!!

Shared this with some music loving co-workers today as well regarding being sorta “ehh” on the whole idea of this record:

Star Wars came out in 1977..I was seven. I loved it. It was the greatest movie I had ever seen I had the toys..they released two more..I loved those and had the toys...then..it went away..only to come back. I was excited cuz heck..it was star wars. There were some misfires here and there, most of it was tolerable, some parts awful (Jar Jar) some parts awesome (the epic light saber battle in ep III) but I was 20+ years older now. The only reason to slag it hard is because it didn't make me feel like I was 7 again.

Its good, its fun, its harmless...and worth your time.

I was able to grab it for less than $10.00. Grab it, hop in your trans am and cruise the mall. It's all good.

Lots of shows..i need money..and time..

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Man oh man..concert season is heating up in these parts. If there is one thing I really dig its a live show. There are just a lot of choices (I know..every night..many clubs/venues) but man it seems like they are coming in droves.

Currently I only have “hard tickets” for two things. Andrew WK doing his “I Get Wet” Album in full at the Paradise Rock Club(sold out) and Mogwai will try for a third time to get their show performed in boston after postponing the Paradise, moving to the House of Blues and to postpone that for this new date in June. The biggest plus there...the Red Sox are out of town.

Oh wait, I have a ticket for the Avett Brothers at Lupos in Providence.

Upcoming on sales that are VERY much on the radar are Mark Lanegan (TICKET SECURED!),who FINALLY is doing a solo show here in MA as well as Built To Spill

Otherwise lots of stuff I just am struggling with ticket price wise. I'd honestly really like to see Van Halen and I had the tickets “in my shopping cart” but 130.00 per ticket on the far end of the venue I just couldn't do. Mastodon plays with Opeth at the Orpheum and those tickets are not that expensive all things considered, but I looked for 2 and was in the balcony, looked for a single and was in the balcony further back?? Trying to get in to the Daryl Hall show. Odd as it may sound the clips (see that link and youtube) are awesome. This gig Sharon Jones (sans Dap Kings) will be on the bill as well.....soooooo.

Roger Waters is doing "The Wall" at Fenway Park. Hands down the WORST of the WORST places to see a show, but since I missed the indoor leg of this show, this might be my only chance. Again, had tickets in my “cart” but after fees for 2 tickets on the 1st base line I was looking at over 330.00??! WHAT??!! I realize its a “production” and all..but whoa.

Fiona Apple makes a rare appearance at Royale in Boston end of March...hmmmm..but I dropped the ball and tickets sold out before reacted. (also the venue link always gets me an AVG warning)

Summer concert season is, pardon the pun, heating up. Of all bands I sorta really want to make the effort to see Iron Maiden, who hit our local outdoor shed (Comcast Center) in June. (Tickets on sale this Saturday). Who knows if Phish will hit the road. On their site there is one date for Bonaroo and rumors of 2 shows in June at the DCU Center in Worcester (indoors?? in June? booo. Explosions in the Sky are starting out West and heading East but not sure if they will come back local on this leg. What about The Stone Roses and Refused reunion tour dates (local please). Get on that people!

Sigur Ros is slowly rolling out dates, but I don't think they will be stateside until the fall...October at the earliest (mid to late) is my earliest guess..which throws a kink in where they can play around here. The last time they were intown was the mid sized outdoor venue...but this and the other larger one will be closed for the season by this time. They are not really an “arena band”, not that they can't sell decent, its just their vibe is far more “concert hall”...so maybe 2 nights at the Citi Wang or something like that. I also don't think they've played Providence, so 2 nights at Providence Performing Arts Center (PPAC)

Might sound like pretty “commercial” bands but there are a fair number of bands I hope make their way to Boston/Providence. If These Trees Could Talk and The End of the Ocean are two bands that may head this way. Caspian will be doing work on their new album so I figure at the VERY least a cd release party is in the cards. (fingers crossed).

Any PR folks want to send me to shows...i am always (well usually) game. You get me in and I'll promote before and do a review after....(insert grovel here).

Great Big Sea frontman Alan Doyle Tour Dates

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While his branches extend around the globe, Alan Doyle’s roots remain firmly in their soil. Anyone who has seen a Great Big Sea show has already been convinced of Doyle’s presence and passion on stage. The dedication to ‘serving the song’ will be equally evident in presenting Boy On Bridge on stage through May and June. Ably backed by a crack four-piece band of talented multi-instrumentalists, Doyle’s show will feature new material, Great Big Sea fan favorites and an unexpected turn or two. Creating a distinctive blend of the traditional with the unconventional, Alan Doyle continues his unbeaten streak of delighting concertgoers everywhere.

Boy On Bridge was recorded in studios around the world, with collaborators such as Canadian stars Colin James, Hawksley Workman and Jim Cuddy, joined by Nashville pros Troy Verges and Kelly Archer, while long-time co-conspirator Gordie Sampson helped write and record some of the album’s finest material, including the first single “I’ve Seen A Little”, now available on iTunes.


Alan Doyle U.S. Tour Dates

5/22 - Seattle, WA @ Tractor Tavens
5/29 - Minneapolis, MN @ The Dakota Jazz Club
5/30 - Chicago, IL @ Schubas
6/3 - New York, NY @ City Winery
6/5 - Alexandria, VA @ The Birchmere
6/6 - Philadelphia, PA @ World Café LIve
6/7 - Boston, MA @ Johnny D's

John Butler - Tin Shed's Tales

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One of Australia's most respected singer/songwriters, John Butler returned to his roots, performing a series of solo concerts throughout the country over the past couple of months. Aptly titled Tin Shed Tales, the shows were a rare opportunity to hear the music of this iconic artist, solo and in a raw and intimate setting. Designed and dressed personally by John, his Tin Shed was recreated; decked out with a collection of personal art pieces and old skool skateboards with his vintage guitars hanging from the corrugated shed walls.

Now John Butler gives his fans the opportunity to relive the experience with the release of the Tin Shed Tales Live Recording packaged in a 2 CD set. This CD truly captures John Butler in a completely new light, not only as the skillful musician stripped back and bare but as a humbled and relaxed performer. It's as if he's hanging out with a bunch of close friends as he engages the audience interspersing his music prowess with anecdotes, some of which will make you laugh and move you and others which might well give you food for thought.


The first five shows of the tour; Fremantle, Kalgoorlie, Mandurah, Dunsbourough and Albany - were recorded and the best tracks, accompanied by John's insightful tales, have been selected to form the content of the Tin Shed Tales Double CD.

The 13 track package includes classics like 'Better Than', 'Pickapart' and 'Treat yo Mama', as well as reworkings of April Uprising's hit 'Revolution', a moving rendition of the classic Irish ballad 'Danny Boy' and the brand new song 'Kimberley' amongst others.

The double CD Digipack will be made available from all good retailers and online through iTunes, and
Musictoday.com in the USA


Follow John Butler Trio

Facebook: here
Twitter: here
And on the web site

Watch a clip!




23 Haziran 2012 Cumartesi

The Hippodrome, the Blue Mosque, and the Basilica Cistern

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In Istanbul, we stayed in the historic area of Sultanahmet where the most famous tourist spots are. In AD 330, Istanbul -- then Constantinople -- was the capital of the Roman / Byzantine Empire and the Great Palace of Constantinople stood next to the Hippodrome -- the stadium for horse and chariot racing. The palace is almost entirely gone; the Blue Mosque now sits on that site, but the Hippodrome is still there. They've paved the old racetrack and the surface is several feet above the surface in ancient times. There are three monuments in the Hippodrome. One was erected in the 10th century and was covered in scaffolding when we visited. The other two were were brought to the Hippodrome and erected in the 4th century AD as relics of the ancient world. One of them is the Obelisk of Theodosius:


It's from ancient Eygpt -- 1490 BC. The other is the Serpent Column. It once was 8 meters tall, with 3 serpent heads supporting a golden bowl and was created to commemorate the Battle of Plataea in 479 BC. One of the serpent heads is displayed in the istanbul Archaeology Musuem, but this is all that remains at the Hippodrome:


Next to the Hippodrome is the Blue Mosque, built in the early 1600s and so named for the blue tiles in the interior.







Next to the mosque (on the same grounds) is the tomb of Ahmed I.


Underneath Sultanahmet is the Basilica Cistern, dating to the 6th century. It's huge with columns everywhere. And a nice escape from the heat. At the back, there are two Medusa heads used a column bases and clearly taken from some other location and brought there for unknown reasons.